FACT, the Trust which I head, is holding an exhibition on 'Aurangzeb as he was according to Mughal documents', from February 16 to 20 at New Delhi's Habitat Center, the Palm Court Gallery, from 10 am to 9 pm.
Why an exhibition on Aurangzeb, some may ask. Firstly, I have been a close student of Indian history, and one of its most controversial figures has been Aurangzeb (1658-1707). It is true that under him the Mughal empire reached its zenith, but Aurangzeb was also a very cruel ruler � some might even say monstrous.
What are the facts? Aurangzeb did not just build an isolated mosque on a destroyed temple, he ordered all temples destroyed, among them the Kashi Vishwanath temple, one of the most sacred places of Hinduism, and had mosques built on a number of cleared temple sites. Other Hindu sacred places within his reach equally suffered destruction, with mosques built on them. A few examples: Krishna's birth temple in Mathura; the rebuilt Somnath temple on the coast of Gujarat; the Vishnu temple replaced with the Alamgir mosque now overlooking Benares; and the Treta-ka-Thakur temple in Ayodhya. The number of temples destroyed by Aurangzeb is counted in four, if not five figures. Aurangzeb did not stop at destroying temples, their users were also wiped out; even his own brother Dara Shikoh was executed for taking an interest in Hindu religion; Sikh Guru Tegh Bahadur was beheaded because he objected to Aurangzeb's forced conversions.
Yet, Percival Spear, co-author with Romila Thapar of the prestigious A History of India (Penguin), writes: 'Aurangzeb's supposed intolerance is little more than a hostile legend based on isolated acts such as the erection of a mosque on a temple site in Benares.' L'histoire de l'Inde moderne (Fayard), the French equivalent of Percival Spear's history of India, praises Aurangzeb and says, 'He has been maligned by Hindu fundamentalists'. Even Indian politicians are ignorant of Aurangzeb's evil deeds. Nehru might have known about them, but for his own reasons he chose to keep quiet and instructed his historians to downplay Aurangzeb's destructive drive and instead praise him as a benefactor of arts.
Since then six generations of Marxist historians have done the same and betrayed their allegiance to truth. Very few people know for instance that Aurangzeb banned any kind of music and that painters had to flee his wrath and take refuge with some of Rajasthan's friendly maharajahs.
Thus, we thought we should get at the root of the matter. History (like journalism) is about documentation and first-hand experience. We decided to show Aurangzeb according to his own documents. There are an incredible number of farhans, original edicts of Aurangzeb hand-written in Persian, in India's museums, particularly in Rajasthan, such as the Bikaner archives. It was not always easy to scan them, we encountered resistance, sometimes downright hostility and we had to go once to the chief minister to get permission. Indeed, the director of Bikaner archives told us that in 50 years we were the first ones asking for the farhans dealing with Aurangzeb's destructive deeds. Then we asked painters from Rajasthan to reproduce in the ancient Mughal style some of the edicts: the destruction of Somnath temple; the trampling of Hindus protesting jaziya tax by Aurangzeb's elephants; or the order from Aurangzeb prohibiting Hindus to ride horses and palanquins; or the beheading of Teg Bahadur and Dara Shikoh.